Monday, January 22, 2018

Words, Names, Labels, Lexicography


Aboulafia, Mitchell. The Mediating Self: Mead, Sartre, and Self-Determination. Yale UP, 1986.

Abrams, M.H. The Mirror and the Lamp: Romantic Theory and the Critical Tradition. New York: W.W. Norton, 1953.

Addison, Joseph. “On Genius.” The Spectator. 1711.

Angier, Natalie. “An Old Idea About Genius Wins New Scientific Support.” New York Times 12 October 1993: C1, C8.

Arac, Jonathan. “Shop Window or Laboratory: Collection, Collaboration, and the Humanities.” The Politics of Research. Ed. E. Ann Kaplan and George Levine. New Brunswick: Rutgers UP, 1997. 116-126.

Arieti, Silvano. Creativity: The Magic Synthesis. New York: Basic Books, 1976.

Balhorn, Mark, Dan Dieterich, Wade Mahon, and Rebecca Stephens. “A Creative Writer Teaches Writing: A Conversation with Larry Watson.” Issues in Writing 12.2 (Spring/Summer 2002): 110-125.

Baron, Dennis. Guide to Home Language Repair. Urbana, IL: National Council of Teachers of English, 1994.

Barth, J. Robert, and John L. Mahoney, eds. Coleridge, Keats, and the Imagination: Romanticism and Adam’s Dream: Essays in Honor of Walter Jackson Bate. Columbia: U Missouri P, 1990.

Bartholomae, David. “Inventing the University.” When a Writer Can’t Write: Studies in Writer’s Block and Other Composing-Process Problems. NY: The Guilford P, 1985. 134-165.

Bate, Walter Jackson. The Burden of the Past and the English Poet. Cambridge, MA: Belknap P, 1970.

Battersby, Christine. Gender and Genius: Towards a Feminist Aesthetics. Indiana UP, 1990.

Beck, Melinda, and Pat Wingert. “The Young and the Gifted.” Newsweek 28 June 1993: 49-50.

Begley, Sharon. “Where Do Great Minds Come From? And Why Are There No Einsteins, Freuds or Picassos Today? Newsweek 28 June 1993: 46-50.

Behme, Tim. “Isocrates on the Ethics of Authorship.” Rhetoric Review 23.3 (2004): 197-215.

Bishop, Wendy. Teaching Lives: Essays and Stories. Logan, UT: Utah State University Press, 1997.

Blackall, Eric. The Emergence of German as a Literary Language, 1700-1775. Ithaca, NY, 1959.

Blair, Hugh. “Critical Dissertation on the Poems of Ossian.” The Poems of Ossian. By James Macpherson. Leipzig, B. Tauchnitz, 1847. St. Clair Shores, Mich.: Scholarly P, 1970.

Blair, Hugh D. D. Lectures on Rhetoric and Belles Lettres. Vols 1 and 2. Ed. H.F. Harding and foreword by David Potter. Carbondale: Southern Illinois UP, 1965.

Bono, Edward de. Lateral Thinking: Creativity Step by Step. New York: HarperCollins, 1990.

Brann, Eva. The World of Imagination. Savage, MD: Rowman & Littlefield, 1991.

Britton, James. Prospect and Retrospect: Selected Essays of James Britton. Ed. Gordon M. Pradl. Montclair, NJ: Boynton/Cook, 1982.

Brodkey, Linda. “Modernism and the Scene(s) of Writing.” College English 49.4 (April 1987): 396-418.

Brody, Miriam. Manly Writing: Gender, Rhetoric, and the Rise of Composition. Southern Illinois UP, 1993.

Bundy, Murray Wright. “‘Invention’ and ‘Imagination’ in the Renaissance.” Journal of English and Germanic Philology 29 (1930): 535-45.

Bundy, Murray Wright. The Theory of Imagination in Classical and Mediaeval Thought. Urbana: U Illinois P, 1927. Rpt. Norwood Editions, 1977.

Burke, San. Authorship from Plato to the Postmodern: A Reader. Edinburgh: Edinburgh UP, 1995.

Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge, 1990.

Casanave, Christine Pearson, and Stephanie Vandrick, eds. Writing for Scholarly Publication: Behind the Scenes in Language Education. Mahwah, NJ: Lawrence Erlbaum, 2003.

Casey, Edward S. Imagining: A Phenomenological Study. Bloomington: Indiana UP, 1976.

Chekhov, Anton. The Seagull.

Cocking, John Martin. Imagination: A Study in the History of Ideas. London: Routledge, 1991.

Constable, Giles. “Forgery and Plagiarism in the Middle Ages.” Archiv fur Diplomatik, Schriftgeschichte, Siegel-und Wappenkunde 29 (1983): 1-41.

Covino, William A. Magic, Rhetoric, and Literacy: An Eccentric History of the Composing Imagination. Albany: SUNY UP, 1994.

Covino, William A. “Walt Disney Meets Mary Daly: Invention, Imagination, and the Construction of Community.” JAC: A Journal of Composition Theory 20.1 (Winter 2000): 153-166.

Duff, William. An Essay on Original Genius. London: Edward & Charles Dilly, 1767. Rpt. New York: Garland, 1970.

Emerson, Ralph Waldo. “Quotation and Originality.” Letters and Social Aims. The Centenary Edition of the Complete Works of Ralph Waldo Emerson. Vol. 8. Boston: Houghton Mifflin, 1904.

Engell, James. The Creative Imagination, Enlightenment to Romanticism. Cambridge, MA: Harvard UP, 1981.

Faigley, Lester. Fragments of Rationality: Postmodernity and the Subject of Composition. U Pittsburgh P, 1992.

Feather, John. “From Rights in Copies to Copyright: The Recognition of Authors’ Rights in English Law and Practice in the Sixteenth and Seventeenth Centuries.” The Construction of Authorship: Textual Appropriation in Law and Literature. Ed. Martha Woodmansee and Peter Jaszi. Durham: Duke UP, 1994. 191-210.

Flory, Dan. “Stoic Psychology, Classical Rhetoric, and Theories of Imagination in Western Philosophy.” Philosophy and Rhetoric 29.2 (1996): 147-67.

Foucault, Michel. The Order of Things: An Archeology of the Human Sciences. New York: Vintage, 1973.

Freud, Sigmund. Civilization and Its Discontents.

Freud, Sigmund. “Creative Writers and Day-Dreaming.” The Standard Edition of the Complete Psychoanalytical Works of Sigmund Freud. Vol. 9. Trans. and ed. James Strachey. London: Hogarth P, 1959. Rpt. Authorship: From Plato to the Postmodern. Ed. San Burke. Edinburgh: Edinburgh UP, 1995. 54-62.

Freud, Sigmund. On the History of the Psycho-Analytic Movement. Vol. 14 of The Standard Edition of the Complete Psychological Works of Sigmund Freud. Ed. and trans. James Strachey. 24 vols. London, 1953-74.

Garber, Marjorie. “Our Genius Problem.” Atlantic Monthly (December 2002): 65-72.

Gardner, Howard. Creating Minds: An Anatomy of Creativity Seen Through the Lives of Freud, Einstein, Picasso, Stravinsky, Eliot, Graham, and Gandhi. New York: Basic Books, 1993.

Gerard, Alexander. An Essay on Genius. London: Strahan & Cadell, 1774. Rpt. Munich: Wilhelm Fink Verlag, 1966.

Gilbert, Sandra M., and Susan Gubar. “Infection in the Sentence: The Woman Writer and the Anxiety of Authorship.” The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. New Haven: Yale UP, 1979. Rpt. Feminisms: An Anthology of Literary Theory and Criticism. Ed. Robyn R. Warhol and Diane Price Herndl. New Brunswick, NJ: Rutgers UP, 1991. 289-300.

Goleman, Daniel, Paul Kaufman, and Michael Ray. The Creative Spirit. New York: Dutton, 1992.

Gup, Ted. “The Only Thing More Humbling than Writing.” The Chronicle of Higher Education 2 February 2001: B10. 29 January 2001.

Hafstein, V. “The Politics of Origins: Collective Creation Revisited.” Journal of American Folklore 117.465 (2004): 300-315.

Halden-Sullivan, Judith. “The Phenomenology of Process.” Into the Field: Sites of Composition Studies. Ed. Anne Ruggles Gere. New York: Modern Language Association, 1993. 44-59.

Harris, Robert. “Creative Thinking Techniques.” Virtual Salt. 5 January 2002.

Haynes, Christine. “Reassessing “Genius” in Studies of Authorship: The State of the Discipline.” Book History 8 (2005).

Howard, Rebecca Moore. Review of Hot Property: The Stakes and Claims of Literary Originality. By Francoise Meltzer. Publishing Research Quarterly 11.1 (Spring 1995): 99-101.

Howe, Michael J.A. Genius Explained. Cambridge UP.

Howells, William Dean. The Lady of the Aroostook. Boston: Houghton, Osgood, 1879.

James, Henry. Roderick Hudson.

Jaszi, Peter, and Martha Woodmansee. “The Ethical Reaches of Authorship.” South Atlantic Quarterly 95.4 (Fall 1996): 947-77.

Jaszi, Peter. “On the Author Effect: Contemporary Copyright and Collective Creativity.” The Construction of Authorship: Textual Appropriation in Law and Literature. Ed. Martha Woodmansee and Peter Jaszi. Durham: Duke UP, 1994. 29-56.

Johnson-Eilola, Johndan, and Stewart Selber. “Plagiarism, Originality, Assemblage.” Computers and Composition 24.4 (2007): 375-403.

Joseph, Gerhard. “Charles Dickens, International Copyright, and the Discretionary Silence of Martin Chuzzlewit.” The Construction of Authorship: Textual Appropriation in Law and Literature. Ed. Martha Woodmansee and Peter Jaszi. Durham: Duke UP, 1994. 259-70.

Kantrowitz, Barbara. “He’s the Next Best Thing: A Student of Genius.” Newsweek 28 June 1993: 47-48.

Kearney, Richard. The Wake of Imagination. Minneapolis: U Minnesota P, 1988.

Kirshenblatt-Gimblett, Barbara, ed. Speech Play: Research and Resources for the Study of Linguistic Creativity. Philadelphia: U Pennsylvania P, 1976.

Kolich, Augustus M. “Plagiarism: The Worm of Reason.” College English 45 (February 1983): 141-48.

Kristeva, Julia. “Is There a Feminine Genius?” Critical Inquiry 30.e (Spring 2004): 493-504.

Lethem, Jonathan. “The Ecstasy of Influence.” Harper’s Feb. 2007: 59-71.

Lindey, Alexander. Plagiarism and Originality. New York: Harper, 1952.

Loewenstein, Joseph. The Author’s Due: Printing and the Prehistory of Copyright. U Chicago P, 2002.

Mann, Thomas. Death in Venice.

Marsh, Bill. Plagiarism: Alchemy and Remedy in Higher Education. Albany: SUNY P, 2007.

Macfarlane, Robert. Original Copy: Plagiarism and Originality in Nineteenth-Century Literature. Oxford UP, 2007.

Mayer-Schonberger, Viktor. “Can We Reinvent the Internet?” Science 325.5939 (24 July 2009): 396-397.

McAuliffe, Kathleen. “The Undiscovered World of Thomas Edison.” Atlantic Monthly (December 1995): 80-93.

McFarland, Thomas. Originality and Imagination. Baltimore: Johns Hopkins UP, 1985.

McLeod, K. Freedom of Expression: Overzealous Copyright Bozos and Other Enemies of Creativity. New York: Doubleday, 2005.

Meltzer, Francoise, ed. The Trial(s) of Psychoanalysis. Chicago: U Chicago P, 1987, 1988.

Meltzer, Francoise. “Descartes’ Dreams and Freud’s Failure, or the Politics of Originality.” The Trial(s) of Psychoanalysis. Ed. Franoise Meltzer. Chicago: U Chicago P, 1987, 1988. 81-102.

Meltzer, Francoise. Hot Property: The Stakes and Claims of Literary Originality. U Chicago P, 1994.

Miller, Keith D. Voice of Deliverance: The Language of Martin Luther King, Jr. and Its Sources. New York: Free P, 1992.

Morgan, Peter W., and Glenn H. Reynolds. “A Plague of Originality.” The Appearance of Impropriety: How the Ethics Wars Have Undermined American Government, Business, and Society. Free Press, 1997.

Mumford, Lewis. The Golden Day: A Study in American Experience and Culture. New York: Boni and ALiveright, 1926.

Mumford, Lewis. The Myth of the Machine: Technics and Human Development. New York: Harcourt, Brace & World, 1966.

Murray, Pamela. Genius: The History of an Idea. Oxford: Basil Blackwell, 1989.

Murray, Timothy. Theatrical Legitimation: Allegories of Genius in Seventeenth-Century England and France. Oxford UP, 1987.

Navrozov, Andrei. The Gingerbread Race: A Life in the Closing World Once Called Free. Picador.

Nitzsche, Jane Chance. The Genius Figure in Antiquity and the Middle Ages. New York: Columbia UP, 1975.

Norris, Margot. “The Autobiography of Alice B. Toklas: Stein’s Feminist History of Modernism.” Modern Language Association, San Diego, CA, 30 December 1994.

Novitz, David. Knowledge, Fiction and Imagination. Philadelphia: Temple UP, 1987.

O’Rourke, Meghan. “The Copycat Syndrome.” Slate 11 Jan. 2007.

Perkins, David N. “Creativity and the Quest for Mechanism.” The Psychology of Human Thought. Ed. R.S. Sternberg and E. Smith.

Perl, Sondra, and Arthur Egendorf. “The Process of Creative Discovery: Theory, Research, and Implications for Teaching.” The Territory of Language: Linguistics, Stylistics, and the Teaching of Composition. Ed. Donald A. McQuade. Carbondale: Southern Illinois UP, 1986. 251-268.

Perrig, Alexander. Michelangelo’s Drawings: The Science of Attribution. New Haven: Yale UP, 1991.

Phelps, Louise Wetherbee, and Sandra Mano. “Originality and Imitation in the Work and Consciousness of an Adolescent Writer.” Solving Problems in Literacy: Learners, Teachers and Researchers. Ed. Jerome A. Niles. Rochester: The National Reading Conference, 1986. 290-293.

Phillips, James, and James Morley, eds. Imagination and Its Pathologies. Cambridge, MA: MIT P, 2003.

Phillips, Patricia. The Adventurous Muse: Theories of Originality in English Poetics, 1650-1760. Uppsala, 1984.

Portillo, Margaret, and Gail Summerskill Cummins. “Creativity, Collaboration, and Computers.” Electronic Communication Across the Curriculum. Ed. Donna Reiss, Dickie Selfe, and Art Young. Urbana, IL: NCTE, 1998. 170-179.

Posner, Richard A. “The Truth about Plagiarism.” New York Newsday 18 May 2003.

Prior, Lindsay. “Doing Things with Documents.” Qualitative Reearch: Theory, Method and Practice. Ed. David Silverman. Thousand Oaks: Sage, 2004. 76-94.

Pyle, Forest. The Ideology of Imagination: Subject and Society in the Discourse of Romanticism. Cambridge UP.

Quaint, David. Origin and Originality in Renaissance Literature. New Haven, CT: Yale UP, 1983.

Randall, Marilyn. “Appropriate(d) Discourse: Plagiarism and Decolonization.” New Literary History 22 (1991): 525-41.

Randall, Marilyn. Pragmatic Plagiarism: Authorship, Profit, and Power. U Toronto P, 2001.

Rank, Otto. Art and Artist: Creative Urge and Personality Development. New York, 1932.

Rosen, Stanley R. Plato’s Sophist, the Drama of Original and Image. New Haven: Yale UP, 1983.

Rossky, Wiliam. “Imagination in the English Renaissance: Psychology and Poetic.” Studies in the Renaissance 5 (1958): 49-73.

Rothenberg, Albert. Creativity and Madness: New Findings and Old Stereotypes. Johns Hopkins UP, 1994.

Sanjek, David. “‘Don’t Have to DJ No More’: Sampling and the ‘Autonomous’ Creator.” The Construction of Authorship: Textual Appropriation in Law and Literature. Ed. Martha Woodmansee and Peter Jaszi. Durham: Duke UP, 1994. 343-60.

Schlauch, Margaret. The Gift of Language. New York: Dover, 1942, 1955.

Sharples, Michael. “An Account of Writing as Creative Design.” The Science of Writing. Ed. C.M. Levy & S. Ransdell. Hillsdale, N.J.: Lawrence Erlbaum, 1996. .

Sherman, Brad, and Alain Strowell, eds. Of Authors and Origins: Essays on Copyright Law. New York: Oxford UP, 1994.

Sherman, Brad. “From the Non-original to the Ab-original: A History.” Of Authors and Origins: Essays on Copyright Law. Ed. Brad Sherman and Alain Strowell. New York: Oxford UP, 1996. 111-30.

Shon, Phillip C.H. “How College Students Cheat on In-Class Examinations: Creativity, Strain, and Techniques of Innovation.” Plagiary 1.10 (2006): 1-20.

Sidney, Sir Philip. An Apology for Poetry. Ed. Geoffrey Shepherd. Manchester: Manchester UP, 1965. Rpt. Authorship: From Plato to the Postmodern. Ed. San Burke. Edinburgh: Edinburgh UP, 1995. 31-6.

Simonton, Dean Keith. Origins of Genius: Darwinian Perspectives on Creativity. New York: Oxford UP.

Smith, Logan Pearsall. Four Words: Romantic, Originality, Creative, Genius. Oxford: Clarendon P, 1924.

Starkey, David, ed. Teaching Writing Creatively. Portsmouth, NH: Boynton/Cook, 1998.

Steinsaltz, Adin. The Essential Talmud. Trans. Chaya Galai. New York: Basic Books, 1976. 265.

Stevens, M.J. Personal communication (final examination for “Talent, Society, and the State,” Colgate University), 5 May 1994.

Stewart, Susan. Crimes of Writing: Problems in the Containment of Representation. New York: Oxford UP, 1991.

Stieglitz, Alfred. “Pictorial Photography.” Scribners Magazine 26.5 (November 1899): 528-37.

Stillinger, Jack. Multiple Authorship and the Myth of Solitary Genius. New York: Oxford UP, 1991.

Sullivan, Patricia A. “Revising the Myth of the Independent Scholar.” Writing With: New Directions in Collaborative Teaching, Learning, and Research. Ed. Sally Barr Reagan, Thomas Fox, and David Bleich. Albany, NY: SUNY P, 1994. 11-30.

Summerfield, Geoffrey, ed. Creativity in English. Champaign, IL: National Council of Teachers of English, 1968.

Swearingen, C. Jan. “Originality, Authenticity, Imitation, and Plagiarism: Augustine’s Chinese Cousins.” Perspectives on Plagiarism and Intellectual Property in a Postmodern World. Ed. Alice Roy and Lise Buranen. Albany, NY: SUNY P, 1999. 19-30.

Ueland, Brenda. “Everybody Is Talented, Original and Has Something Important to Say.” If You Want to Write. 1987. Rpt. Landmark Essays on Writing Process. Ed. Sondra Perl. Davis, CA: Hermagoras P, 1994. 235-238.

Vivant, Michel. “The Notions of Work, Originality and Neighboring Rights from the Viewpoint of Civil Law Traditions.” WIPO Worldwide Symposium on the Future of Copyright and Neighboring Rights. Geneva: WIPO, 1994. 69-79.

Walters, Frank D. “Isocrates and the Epistemic Return: Individual and Community in Classical and Modern Rhetoric.” Journal of Advanced Composition 13.1 (Winter 1993): 155-72.

Warnock, Mary. Imagination. Berkeley: U California P, 1978.

Watson, Gerard. Phantasia in Classical Thought. Galway, Ireland: U Galway P, 1988.

Weinsheimer, Joel. Imitation. Boston: Routledge & Kegan Paul, 1984.

White, Alan. The Language of Imagination. Oxford: Basil Blackwell, 1990.

Wilde, Oscar. The Picture of Dorian Gray.

Woodmansee, Martha. “The Interest in Disinterestedness: Karl Phillip Moretz and the Emergence of the Theory of Aesthetic Autonomy in Eighteenth-Century Germany.” Modern Language Quarterly 45 (March 1984): 22-47.

Wordsworth, William. “Essay, Supplementary to the Preface.” Literary Criticism of William Wordsworth. Ed. Paul M. Zall. Lincoln: U Nebraska P, 1966. 158-87.

Yaffe, David. Fascinating Rhythm: Reading Jazz in American Writing. Princeton, NJ: Princeton UP, 2006.

Yen, Alfred C. “The Interdisciplinary Future of Copyright Theory.” The Construction of Authorship: Textual Appropriation in Law and Literature. Ed. Martha Woodmansee and Peter Jaszi. Durham: Duke UP, 1994. 159-74.

Young, Edward. Conjectures on Original Composition. In a Letter to the Author of Sir Charles Grandison [i.e. Samuel Richardson]. Dublin: Wilson, 1759. Rpt. Leeds, Eng.: Scholar, 1966, Rpt. Rolcroft, PA: Folcrost, 1970.