Friday, April 20, 2018

Authorship – Feminist Theories


Adams, Susan M.  “The Erotics of Authorship.”  Authorship in Composition Studies.  Ed. Tracy Hamler Carrick and Rebecca Moore Howard.  Boston:  Wadsworth, 2005.

Batson, Lorie Goodman. “Defining Ourselves as Woman (in the Profession).” Pre/Text 10 (Spring/Summer 1989): 117-120.

Belsey, Catherine. “Constructing the Subject: Deconstructing the Text.” Feminist Criticism and Social Change: Sex, Class and Race in Literature and Culture. Ed. Judith Newton and Deborah Rosenfelt. New York: Methuen, 1985. 45-64.

Bordo, Susan. Unbearable Weight: Feminism, Western Culture, and the Body. U California P, 1993.

Briganti, Chiara, and Robert Con Davis. “Cixous, Helene.” Johns Hopkins Guide to Literary Theory and Criticism. 1997.

Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge, 1990.

Butler, Judith. “Variations on Sex and Gender: Beauvoir, Wittig, Foucault.” Feminism as Critique: On the Politics of Gender. Ed. Seyla Benhabib and Drucilla Cornell. Minneapolis: U Minnesota P, 1987. 128-142.

Caywood, Cynthia L., and Gillian R. Overing, eds. Teaching Writing: Pedagogy, Gender, and Equity. Albany: SUNY P, 1987.

Christian, Barbara. “The Race for Theory.” Feminist Studies 14 (1988): 67-79.

Cixous, Helene. “The Author in Truth.” Coming to Writing and Other Essays. Trans. Sarah Cornell, et alia. Ed. Deborah Jenson. Cambridge, MA: Harvard UP, 1991. 136-81.

Cixous, Helene. “Castration or Decapitation?” Trans. Annette Kuhn. Signs 7.1 (1981). Rpt. Authorship: From Plato to the Postmodern. Ed. Sean Burke. Edinburgh: Edinburgh UP, 1995. 162-177.

Cixous, Helene. Coming to Writing and Other Essays. Trans. Sarah Cornell, et alia. Ed. Deborah Jenson. Cambridge, MA: Harvard UP, 1991.

Cixous, Helene. Three Steps on the Ladder of Writing. Columbia UP, 1993.

Cixous, Helene. “Rethinking Differences.” Trans. Isabella de Courtivron. Homosexualities and French Literature. Ed. George Stambolian and Elaine Marks. Ithaca: Cornell UP, 1979. 70-86.

Cixous, Helene. “The Laugh of the Medusa.” Trans. Keith Cohen and Paula Cohen. The Signs Reader: Women, Gender, and Scholarship. Ed. Elizabeth Abel and Emily K. Abel. Chicago: U of Chicago P, 1983. 279-99. Rpt. The Rhetorical Tradition: Readings from Classical Times to the Present. Ed. Patricia Bizzell and Bruce Herzberg. Boston: Bedford, 1990. 1232-44.

Cixous, Helene, and Catherine Clement. The Newly Born Woman. Trans. Betsy Wing. Minneapolis: U of Minnesota P, 1986.

Clark, Suzanne. “Julia Kristeva: Rhetoric and the Woman as Stranger.” Reclaiming Rhetorica: Women in the Rhetorical Tradition. Ed. Andrea A. Lunsford. Pittsburgh: U Pittsburgh P, 1995. 305-18.

Conley, Verena A. Helene Cixous: Writing the Feminine. Lincoln: U of Nebraska P, 1984.

Crownfield, David, ed. Body/Text in Julia Kristeva: Religion, Women, and Psychoanalysis. Albany: SUNY UP, 1992.

Davis, D. Diane. Breaking Up [at] Totality: A Rhetoric of Laughter. Carbondale: Southern Illinois UP, 2000.

Davis, D. Diane. “Helene Cixous.” Twentieth-Century Rhetorics and Rhetoricians. Michael G. Moran and Michelle Ballif, eds. Westport, CT: Greenwood, 2000. 95-100.

Ebert, Teresa L. “The ‘Difference’ of Postmodern Feminism.” College English 53.8 (December 1991): 886-904.

Ezell, Margaret J.M. Social Authorship and the Advent of Print. Baltimore: Johns Hopkins UP, 1999.

Fletcher, John, and Andrew Benjamin, eds. Abjection, Melancholia and Love: The Work of Julia Kristeva. New York: Routledge, 1990.

Fort, Bernadette. “Theater, History, Ethics: An Interview with Helene Cixous on The Perjured City, or the Awakening of the Furies.” New Literary History 28.3 (Summer 1997).

Fraser, Nancy, and Sandra Lee Bartky, eds. Revaluing French Feminism: Critical Essays on Difference, Agency, and Culture. Bloomington: Indiana UP, 1992.

Friedman, Susan Stanford. “Weavings: Intertextuality and the (Re)Birth of the Author.” Influence and Intertextuality in Literary History. Eds. Jay Clayton and Eric Rothstein. Madison: U Wisconsin P, 1991. 146-80.

Gasbarrone, Lisa. “‘The Locus for the Other’: Cixous, Bakhtin, and Women’s Writing.” A Dialogue of Voices: Feminist Literary Theory and Bakhtin. Ed. Karen Hohne and Helen Wussow. Minneapolis: U Minnesota P, 1994. 1-19.

Gilbert, Sandra M., and Susan Gubar. “The Queen’s Looking Glass: Female Creativity, Male Images of Women, and the Metaphor of Literary Paternity.” The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. New Haven: Yale UP, 1979. 3-44.

Gilbert, Sandra M., and Susan Gubar. “Tradition and the Female Talent.” The Poetics of Gender. Ed. Nancy K. Miller. New York: Columbia UP, 1986. 183-207.

Graybeal, Jean. Language and “The Feminine” in Nietzsche and Heidegger. Bloomington: Indiana UP, 1990. Ch. 1, “Kristeva on Language and ‘the Feminine,'” 5-26.

Grosz, Elizabeth. “Inscriptions and Body-Maps: Representations and the Corporeal.” Feminine, Masculine, and Representation. Ed. Terry Threadgold and Anne Cranny-Francis. Boston: Allen & Unwin, 1990. 62-74.

Grosz, Elizabeth. “Sexual Subversions.” Three French Feminists: Julia Kristeva, Luce Irigaray, Michle Le Doeuff. Sydney: Allen & Unwin, 1989.

Halbert, Debora. “Poaching and Plagiarizing: Property, Plagiarism, and Feminist Futures.” Perspectives on Plagiarism and Intellectual Property in a Postmodern World. Ed. Lise Buranen and Alice M. Roy. Albany: SUNY Press, 1999. 111-20.

Jardine, Alice. “Opaque Texts and Transparent Contexts: The Political Difference of Julia Kristeva.” The Poetics of Gender. Ed. Nancy K. Miller. New York: Columbia UP, 1986. 96-116.

Jenson, Deborah. Trauma and Its Representations: The Social Life of Mimesis in Post-Revolutionary France. Baltimore: Johns Hopkins UP, 2001.

Jones, Kathleen. “What is Authority’s Gender?” Revisioning the Political: Feminist Reconstructions of Traditional Concepts in Western Political Theory. Ed. Nancy Hirschmann and Christine Di Stefano. Boulder, CO: Westview Press, 1996. 75-93.

Juncker, Clara. “Beyond Mastery: Postmodern College Composition.” Writing on the Edge 2.1 (Fall 1990): 69-80.

Juncker, Clara. “Writing (with) Cixous.” College English 50 (1988): 424-35.

Kristeva, Julia. About Chinese Women. Trans. Anita Barrows. New York: Marion Boyars, 1986.

Kristeva, Julia. Black Sun. Trans. Leon S. Roudiez. New York: Columbia UP, 1989.

Kristeva, Julia. “The Bounded Text.” Desire in Language. 1977. New York: Columbia UP, 1980. 36-64.

Kristeva, Julia. Desire in Language: A Semiotic Approach to Literature and Art. Ed. Leon S. Roudiez. Trans. Thomas Gorz, Alice Jardine, and Leon S. Roudiez. New York: Columbia UP, 1980.

Kristeva, Julia, Josette Rey-Debove, and Donna J. Umiker-Sebeok, eds. Essays in Semiotics/Essais de semiotique. New York: Mouton de Gruyter, 1971.

Kristeva, Julia. “The Ethics of Linguistics.” Critique 322 (March 1974). Rpt. Desire in Language: A Semiotic Approach to Literature and Art. Ed. Leon S. Roudiez. Trans. Thomas Gorz, Alice Jardine, and Leon S. Roudiez. New York: Columbia UP, 1980. 1-22.

Kristeva, Julia. “Freud and Love: Treatment and Its Discontents.” Trans. Leon S. Roudiez. The Kristeva Reader. Ed. Toril Moi. New York: Columbia UP, 1986. 238-71.

Kristeva, Julia. “Is There a Feminine Genius?” Critical Inquiry 30.3 (Spring 2004): 493-504.

Kristeva, Julia. The Kristeva Reader. Ed. Toril Moi. New York: Columbia UP, 1986.

Kristeva, Julia. Language the Unknown: An Initiation into Linguistics. Trans. Anne M. Menke. New York: Columbia UP, 1989.

Kristeva, Julia. Les Samourais. Paris: Fayard, 1990.

Kristeva, Julia. “Postmodernism?” Romanticism, Modernism, Postmodernism. Ed. Harry R. Garvin. Lewisburg: Bucknell UP, 1980. 136-41.

Kristeva, Julia. Powers of Horror: An Essay on Abjection. Trans. Leon S. Roudiez. New York: Columbia UP, 1982.

Kristeva, Julia. “Psychoanalysis and the Polis.” Trans. Margaret Waller. The Kristeva Reader. Ed. Toril Moi. New York: Columbia UP, 1986. 301-20.

Kristeva, Julia. Revolt, She Said. Cambridge, MA: MIT P, 2002.

Kristeva, Julia. Revolution in Poetic Language. 1974. Trans. Margaret Walker. Intro. Leon Roudiez. New York: Columbia UP, 1984.

Kristeva, Julia. “Semiotics: A Critical Science and/or a Critique of Science.” 1969. The Kristeva Reader. Ed. Toril Moi. New York: Columbia UP, 1986. 74-88.

Kristeva, Julia. Semeiotke. Paris: Seuil, 1969.

Kristeva, Julia. Strangers to Ourselves. 1988. Trans. Leon S. Roudiez. New York: Columbia UP, 1991.

Kristeva, Julia. “The System and the Speaking Subject.” The Kristeva Reader. Ed. Toril Moi. New York: Columbia UP, 1986. 25-33.

Kristeva, Julia. Tales of Love. Trans. Leon S. Roudiez. New York: Columbia UP, 1987.

Kristeva, Julia. “Women’s Time.” Trans. Alice Jardine and Harry Blake. The Kristeva Reader. Ed. Toril Moi. New York: Columbia UP, 1986. 188-213. Rpt. Feminisms: An Anthology of Literary Theory and Criticism. Ed. Robyn R. Warhol and Diane Price Herndl. New Brunswick, NJ: Rutgers UP, 1991. 443-63.

Kristeva, Julia. “Word, Dialogue, and Novel.” Desire in Language. 1977. New York: Columbia UP, 1980. 64-91.

Lechte, John. “Julia Kristeva.” Fifty Key Contemporary Thinkers: From Structuralism to Postmodernity. New York: Routledge, 1994. 141-144.

Lechte, John. Julia Kristeva. New York: Routledge, 1990.

Lunsford, Andrea Abernethy. “Rhetoric, Feminism, and the Politics of Textual Ownership.” College English 61.5 (May 1999): 529-44.

Mandell, Laura. “What Is the Matter? Or, What Literary Theory Neither Hears Nor Sees.” New Literary History 38 (2007): 755-776.

Margaroni, Maria. “‘The Lost Foundation’: Kristeva’s Semiotic Chora and Its Ambiguous Legacy.” Hypatia 20.1 (2005): 78-98.

Martin, Biddy. “Feminism, Criticism, and Foucault.” New German Critique 27 (1982): 3-30.

Miller, Nancy K. “Changing the Subject: Authorship, Writing, and the Reader.” Feminist Studies/Critical Studies. Ed. Teresa de Lauretis. Bloomington: Indiana UP, 1986. 102-20.

Miller, Nancy. “Changing the Subject: Authorship, Writing and the Reader.” What Is an Author? Ed. Maurice Birotti and Nicola Miller. New York: Manchester UP, 1993. 19-41.

Moi, Toril. “Feminism, Postmodernism, and Style: Recent Feminist Criticism in the United States.” Cultural Critique 9 (1988): 3-22.

Moi, Toril. Sexual/Textual Politics: Feminist Literary Theory. New York, 1985.

Moore, Cindy. “Why Feminists Can’t Stop Talking About Voice.” Composition Studies 30.2 (Fall 2002): 11-26.

Oliver, Kelly. Reading Kristeva: Unraveling the Double-Bind. Bloomington: Indiana UP, 1993.

Payne, Michael. Reading Theory: An Introduction to Lacan, Derrida and Kristeva. Cambridge, MA: Blackwell, 1993.

Purvis-Smith, Virginia L. “Ideological Becoming: Mikhail Bakhtin, Feminine Ecriture, and Julia Kristeva.” A Dialogue of Voices: Feminist Literary Theory and Bakhtin. Ed. Karen Hohne and Helen Wussow. Minneapolis: U Minnesota P, 1994. 42-58.

Queen, Mary. “Genders and Authors.” Authorship in Composition Studies. Ed. Tracy Hamler Carrick and Rebecca Moore Howard. Boston: Wadsworth, 2006. 101-116.

Rickert, Thomas. “Toward the Chora: Kristeva, Derrida, and Ulmer on Emplaced Invention.” Philosophy and Rhetoric 40.3 (2007): 251-273.

Robbins, Sarah. “Distributed Authorship: A Case-Study Framework for Studying Intellectual Property.” College English 66.2 (Nov. 2003): 155-171.

Sheridan-Rabideau, Mary P. “Writing, Gender, and Culture: An Interdisciplinary Perspective.” Handbook of Research on Writing. Ed. Charles Bazerman. New York: Lawrence Erlbaum, 2008. 255-268.

Vitanza, Victor J. Negation, Subjectivity, and the History of Rhetoric. Albany: SUNY P, 1997.

Walker, Cheryl. “Feminist Literary Criticism and the Author.” Critical Inquiry 16 (1990): 551-71. Rpt. The Death and Resurrection of the Author? Ed. William Irwin. Westport, CT: Greenwood, 2002. 141-160.

Worsham, Lynn. “Writing against Writing: The Predicament of Ecriture Feminine in Composition Studies.” Harkin, Patricia, and John Schilb, eds. Contending with Words: Composition and Rhetoric in a Postmodern Age. New York: MLA, 1991: 82-104.

Zlotnick, Susan. Women, Writing, and the Industrial Revolution. Baltimore: Johns Hopkins UP, 1998.