Fashion Blogger Rebecca Moore Howard

Remix, Parody, Pastiche, Collage, Sampling, Influence, Intertextuality

Allen, Graham. Intertextuality. London: Routledge, 2000.

Alternative Freedom. Dir. Twila and Shaun. Project Free Zarathustra, 2006.

Avni, Ora. The Resistance of Reference: Linguistics, Philosophy, and the Literary Text. Johns Hopkins UP.

Bazerman, Charles. “Intertextuality: How Texts Rely on Other Texts.” What Writing Does and How It Does It: An Introduction to Analyzing Texts and Textual Practices. Ed. Charles Bazerman and Paul A. Prior. Mahwah, NJ: Lawrence Erlbaum, 2003. 83-96.

Bazerman, Charles, and Paul A. Prior, eds. What Writing Does and How It Does It: An Introduction to Analyzing Texts and Textual Practices. Mahwah, NJ: Lawrence Erlbaum, 2003.

Beach, Christopher. ABC of Influence: Ezra Pound and the Remaking of American Poetic Tradition. U California P, 1992.

Berkenkotter, Carol, and Thomas Huckin. “You Are What You Cite.” Professional Communication: The Social Perspective. Ed. Nancy Roundy Blyer and Charlotte Thralls. Newbury Park: Sage, 1993. 109-134.

Birch, David. “‘Working Effects with Words’–Whose Words?: Stylistics and Reader Intertextuality.” Language, Discourse and Literature. Ed. R. Carter and P. Simpson. Routledge, 1989. Rpt. The Stylistics Reader: From Roman Jacobson to the Present. Ed. Jean Jacques Weber. New York: St. Martin’s, 1996. 206-23.

Bloom, Harold. The Anxiety of Influence: A Theory of Poetry. New York: Oxford UP, 1973.

Bowman, Frank Paul. French Romanticism: Intertextual and Interdisciplinary Readings. Johns Hopkins UP.

Brady, Jennifer, et al. Literary Transmission and Authority: Dryden and Other Writers. Ed. Earl Miner and Jennifer Brady. New York: Cambridge UP, 1993.

Brown, Dennis. Intertextual Dynamics within the Literary Group–Joyce, Lewis, Pound, and Eliot: The Men of 1914. New York: St. Martin’s P, 1991, 1990.

Chandler, Daniel. Semiotics: The Basics. New York: Routledge, 2002.

Chandrasoma, Ranamukalage, Celia Thompson, and Alastair Pennycook. “Beyond Plagiarism: Transgressive and Nontransgressive Intertextuality.” Journal of Language, Identity, and Education 3 (2004): 171-194.

Clayton, Jay, and Eric Rothstein, eds. Influence and Intertextuality in Literary History. Madison: U Wisconsin P, 1991.

Doerschuk, Robert L. “John Oswald: The Plexure of Plunderphonics.” Keyboard May 1994: 18-19.

Fairclough, Norman. Discourse and Social Change. Cambridge: Polity Press, 1992.

Fairclough, Norman. “Multiliteracies and Language: Orders of Discourse and Intertextuality.” Multiliteracies: Literacy Learning and the Design of Social Futures. Ed. Bill Cope and Mary Kalantzis. New York: Routledge, 2000. 162-181.

Friedman, Susan Stanford. “Weavings: Intertextuality and the (Re)Birth of the Author.” Influence and Intertextuality in Literary History. Eds. Jay Clayton and Eric Rothstein. Madison: U Wisconsin P, 1991. 146-80.

Gallop, Jane. “Precursor Critics and the Anxiety of Influence.” Profession 2003 [Modern Language Association]: 105-109.

Genette, Gerard. The Architext. Trans. Jane Lewin. Berkeley: U California P, 1992.

Genette, Gerard. Palimpsests. Trans. Channa Newman and Calude Doubinsky. Lincoln: U Nebraska P, 1997.

Genette, Gerard. Paratexts: Thresholds of Interpretation. Trans. Jane Lewin. Cambridge UP, 1997.

George, Diana, and Diane Shoos. “Dropping Bread Crumbs in the Intertextual Forest: Critical Literacy in a Postmodern Age.” Passions, Pedagogies and 21st Century Technologies. Ed. Gail E. Hawisher and Cynthia L. Selfe. Urbana, IL: National Council of Teachers of English, 1999. 115-128.

Goodwin, Andrew. “Popular Music and Postmodern Theory.” Cultural Studies 2 (May 1991): 174-90.

Greenhouse, Linda. “Ruling on Rap Song, High Court Frees Parody from Copyright Law.” New York Times 8 Mar. 1994: A1+.

Hall, Kenji. “Japanese Author May Have Inspired Dylan Lyric.” 8 July 2003. Harris, Joseph. Rewriting: How to Do Things with Texts. Logan: Utah State UP, 2006.

Harris, Pauline, Jillian Tresize, and W.N. Winser. “Is the Story on My Face? Intertextual Conflicts during Teacher-Class Interactions Around Texts in Early Grade Classrooms.” Research in the Teaching of English 37.1 (2002): 9-54.

Harris, P., Tresize, J. and Winser, W.N. “Where is the Story?: Intertextual Reflections on Literacy Research and Practices in the Early School Years.” Research in the Teaching of English 38 (Aug. 2004): 250-9.

Hayhoe, George F. “Citation, Citation, Citation.” Technical Communication 52.1 (2005): 7-8.

Helmers, Marguerite, ed. Intertexts: Reading Pedagogy in College Writing Classrooms. Mahwah, NJ: Lawrence Erlbaum, 2003.

Hutcheon, Linda. “Literary Borrowing . . . and Stealing: Plagiarism, Sources, Influences, and Intertexts.” English Studies in Canada 12 (1986): 229-39.

Hutcheon, Linda. A Theory of Adaptation. New York: Routledge, 2006.

Hutcheon, Linda. A Theory of Parody: The Teachings of Twentieth-Century Art Forms. U of Illinois P, 2001.

Jacoby, William. “The Not-So-Simple Art of Imitation: Pastiche, Literary Style, and Raymond Chandler.” Computers and the Humanities 30.1(1996). Johns, Adrian. “Pop Music Pirate Hunters.” Daedalus (Spring 2002): 67-77.

Johnson-Eilola, Johndan, and Stewart Selber. “Plagiarism, Originality, Assemblage.” Computers and Composition 24.4 (2007): 375-403.

Kulish, Nicholas. “Author, 17, Says It’s ‘Mixing,’ Not Plagiarism.” New York Times 11 Feb. 2010.

Kramer, David Bruce. The Imperial Dryden: The Poetics of Appropriation in Seventeenth-Century England. Athens: U Georgia P, 1994.

Lethem, Jonathan. “The Ecstasy of Influence.” Harper’s Feb. 2007: 59-71.

Mullin, Joan A. “Appropriation, Homage, and Pastiche: Using Artistic Tradition to Reconsider and Redefine Plagiarism.” Who Owns This Text? Plagiarism, Authorship, and Disciplinary Cultures. Ed. Carol Peterson Haviland and Joan Mullin. Utah State UP, 2008. 105-128.

Mumford, Lewis. The Golden Day: A Study in American Experience and Culture. New York: Boni and Liveright, 1926.

Naremore, James. “Authorship and the Cultural Politics of Film Criticism.” Film Quarterly 44.1 (Autumn 1990): 14-23.

Nielsen, Aldon Lynn. Writing Between the Lines: Race and Intertextuality. Athens: U of Georgia P, 1994.

O’Donnell, Patrick, and Robert Con Davis, eds. Intertextuality and Contemporary American Fiction. Johns Hopkins UP.

Paretti, Marie C. “Intertextuality, Genre, and Beginning Writers: Mining Your Own Texts.” Teaching Academic Literacy: The Uses of Teacher-Research in Developing a Writing Program. Ed. Katherine L. Weese, Stephen L. Fox, and Stuart Greene. Mahwah, NJ: Lawrence Erlbaum, 1999. 119-134.

Pecorari, Diane, and Philip Shaw. “Types of Student Intertextuality and Faculty Attitudes.” Journal of Second Language Writing 21 (2012): 149-164.

Porter, James E. “Intertextuality and the Discourse Community.” Rhetoric Review 5 (1986): 34-47.

Ricks, Christopher B. Allusion to the Poets. New York: Oxford UP, 2002.

Roustang, Francois. Dire Mastery: Discipleship from Freud to Lacan. Trans. Ned Lukacher. Johns Hopkins UP.

Rule, Greg. “They’re Making Samples Wrong.” Keyboard May 1994: 45+.

Sanjek, David. “‘Don’t Have to DJ No More’: Sampling and the ‘Autonomous’ Creator.” The Construction of Authorship: Textual Appropriation in Law and Literature. Ed. Martha Woodmansee and Peter Jaszi. Durham: Duke UP, 1994. 343-60.

Sanders, Jullie. Adaptation and Appropriation. New York: Routledge, 2006.

Sanjek, David. “Ridiculing the ‘White Bread Original’: The Politics of Parody and Preservation of Greatness in Luther Campbell a.k.a. Luke Skywalker et al. v. Acuff-Rose Music, Inc.” Cultural Studies 20.2-3 (2006).

Selzer, Jack. “Intertextuality and the Writing Process.” Writing in the Workplace. Ed. Rachel Spilka. Carbondale, IL: Southern Illinois UP, 1993. 171-180.

Sigelman, Lee, and William Jacoby. “The Not-So-Simple Art of Imitation: Pastiche, Literary Style, and Raymond Chandler.” Computers and the Humanities 30 (1996): 11-28.

Still, Judith M. “Language as Hospitality: Revisiting Intertextuality as Monolingualism of the Other.” Paragraph 27.1 (March 2004): 113-127.

Swales, John. “Research into the Structure of Introduction to Journal Articles.” Common Ground. Ed. John Swales. Oxford: Pergamon P, 1984. 77-86.

Thompson, Celia. Plagiarism or Intertextuality? A Study of the Politics of Knowledge, Identity and Textual ownership in Undergraduate Student Writing. Diss. University of Technology Sydney [Australia], 2006.

“Two Relationships to a Cultural Public Domain.” Law and Contemporary Problems 66 (Winter-Spring 2003): 239+.

Voloshinov, V.N. Marxism and the Philosophy of Language. Attributed to M.M. Bakhtin. Trans. Ladislav Matejka and I.R. Titunik. New York: Seminar, 1973.

“Welsh Anthem Origin Called into Question.” Political Gateway 2006.

Westphal, Merold. “Kierkegaard and the Anxiety of Authorship.” International Philosophical Quarterly 34.1 (March 1994): 5-22. Rpt. The Death and Resurrection of the Author? Ed. William Irwin. Westport, CT: Greenwood, 2002. 23-44.

White, Hayden. Figural Realism: Studies in the Mimesis Effect. Baltimore, MD: Johns Hopkins UP, 1999.

Worton, Michael and Judith Still, eds. Intertextuality: Theories and Practices. New York: St. Martin’s P, 1990.