Friday, October 19, 2018

Theories of and Research on Authorship: 1900-Present


Barthes, Roland. “Authors and Writers.” Critical Essays. Evanston, IL: Northwestern UP, 1972. Rpt. A Barthes Reader. Ed. Susan Sontag. New York: Hill, 1982. 185-93.

Barthes, Roland. “The Death of the Author.” Aspen: The Magazine in a Box 5+6. ubu.com. UbuWeb, 1967.

Barthes, Roland. Elements of Semiology. London: Cape, 1964, 1967.

Barthes, Roland. The Pleasure of the Text. Trans. Richard Howard. New York: Hill, 1975.

Barthes, Roland. The Rustle of Language. 1984. Trans. Richard Howard. New York: Hill, 1986.

Barthes, Roland. S/Z. Trans. Richard Miller. New York: Hill, 1974.

Barthes, Roland. Writing Degree Zero. 1952. New York: Hill & Wang, 1968.

Bender, Thomas. Intellect and Public Life: Essays on the Social History of Academic Intellectuals in the United States. Johns Hopkins UP.

Benjamin, Walter. “The Author as Producer.” Reflections: Essays, Aphorisms, Autobiographical Writings. Trans. Edmund Jephcott. New York: Schocken Books, 1978. 220-238.

Birotti, Maurice, and Nicola Miller, eds. What Is an Author? New York: Manchester UP, 1993.

Birotti, Maurice. “Authorship, Authority, Authorisation.” What Is an Author? Ed. Maurice Birotti and Nicola Miller. New York: Manchester UP, 1993. 1-18.

Bishop, Wendy. “When All Writing Is Creative and Student Writing Is Literature.” The Subject is Writing: Essays by Teachers and Students. Ed. Wendy Bishop. 2nd. ed. Portsmouth, NH: Boynton/Cook, 1999. 192-202.

Bolter, Jay David. Writing Space: The Computer, Hypertext, and the History of Writing. Hillsdale, NJ: Lawrence Erlbaum, 1990.

Bonham-Carter, Victor. Authors by Profession. London: Soc. of Authors, 1978. 2 vols. 1978-84.

Booth, Wayne. The Rhetoric of Fiction. U Chicago P, 1961.

Brinkley, Douglas. “Unmasking the Writers of the W.P.A.” The New York Times 2 August 2003.

Bronson, Eric. “The Death of Cervantes and the Life of Don Quixote.” The Death and Resurrection of the Author? Ed. William Irwin. Westport, CT: Greenwood, 2002. 205-216.

Brooke, Collin Gifford. “Forgetting to Be (Post)Human: Media and Memory in a Kairotic Age.” JAC: A Journal of Composition Theory 20.4 (Fall 2000): 775-795.

Burke, Sean. Authorship from Plato to the Postmodern: A Reader. Edinburgh: Edinburgh UP, 1995.

Burke, Sean. The Death and Return of the Author: Criticism and Subjectivity in Barthes, Foucault and Derrida. Edinburgh: Edinburgh UP, 1992.

Carey, John. The Intellectuals and the Masses: Pride and Prejudice among the Literary Intelligentsia, 1880-1939. New York: St. Martin’s P, 1992.

Carrick, Tracy Hamler, and Rebecca Moore Howard, eds. Authorship in Composition Studies. Boston: Wadsworth, 2006.

Chernaik, Warren, Warwick Gould, and Ian Willison, eds. Modernist Writers and the Marketplace. New York: St. Martin’s, 1996.

Coombe, Rosemary J. “Author/izing the Celebrity: Publicity Rights, Postmodern Politics, and Unauthorized Genders.” The Construction of Authorship: Textual Appropriation in Law and Literature. Ed. Martha Woodmansee and Peter Jaszi. Durham: Duke UP, 1994. 101-32.

Coombe, Rosemary J. The Cultural Life of Intellectual Properties: Authorship, Appropriation, and the Law. Durham, NC: Duke UP, 1998.

Covino, William A., and David A. Jolliffe. “An Introduction to Rhetoric.” Rhetoric: Concepts, Definitions, Boundaries. Boston: Allyn and Bacon, 1995. 1-26.

Crosswhite, James. “Authorship and Individuality: Heideggerian Angles.” Journal of Advanced Composition 12.1 (Winter 1992): 91-109.

Crowley, Sharon. “writing and Writing.” Writing and Reading Differently: Deconstruction and the Teaching of Composition and Literature. C. Douglas Atkins and Michael L. Johnson, eds. Lawrence: UP of Kansas, 1985. 93-100.

Dauber, Kenneth. The Idea of Authorship in America. Madison: U Wisconsin P, 1990.

Davidson, Cathy N., ed. Reading in America: Literature and Social History. Baltimore, MD: Johns Hopkins UP, 1989.

Davis, D. Diane. Breaking Up [at] Totality: A Rhetoric of Laughter. Carbondale: Southern Illinois UP, 2000.

Derrida, Jacques. “Economimesis.” Diacritics 11 (1981): 3-25.

Derrida, Jacques. “LIMITED INC abc. . .” Glyph 2. Baltimore: Johns Hopkins UP, 1977. 162-254.

Derrida, Jacques. Of Grammatology. Trans. Gayatri Chakravorty Spivak. Baltimore: Johns Hopkins UP, 1974.

Derrida, Jacques. “Signature Event Context.” Glyph. Ed. Samuel Weber and Henry Sussman. The Johns Hopkins UP, 1977: 172-197.

D’Lugo, Marvin. “Authorship and the Concept of National Cinema in Spain.” The Construction of Authorship: Textual Appropriation in Law and Literature. Ed. Martha Woodmansee and Peter Jaszi. Durham: Duke UP, 1994. 327-42.

Docherty, Thomas. “Authority, History and the Question of Postmodernism.” What Is an Author? Ed. Maurice Birotti and Nicola Miller. New York: Manchester UP, 1993. 53-71.

Dock, Julie Bates. The Press of Ideas: Readings for Writers on Print Culture and the Information Age. Boston: Bedford Books, 1996.

Donahue, Patricia. “Teaching Common Sense: Barthes and the Rhetoric of Culture.” Reclaiming Pedagogy: The Rhetoric of the Classroom. Ed. Patricia Donahue and Ellen Quandahl. Carbondale: Southern Illinois UP, 1989. 72-82.

Eagleton, Terry. “The Author as Producer.” Marxism and Literary Criticism. Berkeley: U California P, 1976. 59-76.

Eagleton, Terry. Literary Theory. Minneapolis: U of Minnesota P, 1983.

Eagleton, Terry. “Self-Authoring Subjects.” What Is an Author? Ed. Maurice Birotti and Nicola Miller. New York: Manchester UP, 1993. 42-52.

Eco, Umberto. The Open Work. Trans. A. Cancogni. 1989.

Ede, Lisa, and Andrea A. Lunsford. “Collaboration and Concepts of Authorship.” PMLA 116 (2001): 354-369.

Eliot, T.S. “Philip Massinger.” Essays on Elizabethan Drama. New York: Harcourt, Brace, 1956. 141-161.

Eliot, T.S. “Tradition and the Individual Talent.” 1917. Selected Essays, 1917-1932. New York: Harcourt, Brace, 1932. 3-11. Rpt. Authorship: From Plato to the Postmodern. Ed. Sean Burke. Edinburgh: Edinburgh UP, 1995. 73-80.

Enos, Theresa. “Reports of the ‘Author’s’ Death May Be Greatly Exaggerated But the ‘Writer’ Lives on in the Text.” Rhetoric Society Quarterly 20 (1990): 339-46.

Finkelstein, David. “History of the Book, Authorship, Book Design, and Publishing.” Handbook of Research on Writing. Ed. Charles Bazerman. New York: Lawrence Erlbaum, 2008. 65-80.

Fitzgerald, Lauren. “The Sexuality of Authorship in The Monk.” Romanticism on the Net 36-37 (Nov. 2004 – Feb. 2005).

Foucault, Michel. “What Is an Author?” Bulletin de la Societe francaise de Philosophie 63.3 (1969): 73-104. Rpt. Language, Countermemory, Practice: Selected Essays and Interviews. Ed. Donald F. Bouchard. Trans. Donald F. Bouchard and Sherry Simon. Ithaca: Cornell UP, 1977. 113-38.

Friedman, Susan Stanford. “Weavings: Intertextuality and the (Re)Birth of the Author.” Influence and Intertextuality in Literary History. Eds. Jay Clayton and Eric Rothstein. Madison: U Wisconsin P, 1991. 146-80.

Frye, Northrop. Anatomy of Criticism. Princeton: Princeton UP, 1957.

Fukumoto, Elton. “The Author Effect After the ‘Death of the Author’: Copyright in a Postmodern Age.” Washington Law Review 72.3 (1 July 1997): 903.

Gibson, Walker. “Authors, Speakers, Readers, and Mock Readers.” College English 11 (February 1950): 265-9. Rpt. Reader-Response Criticism: From Formalism to Post-Structuralism. Ed. Jane P. Tompkins. Baltimore: Johns Hopkins UP, 1980. 1-6.

Gracia, Jorge J.E. “A Theory of the Author.” The Death and Resurrection of the Author? Ed. William Irwin. Westport, CT: Greenwood, 2002. 161-190.

Greer, Jane. “Refiguring Authorship, Ownership, and Textual Commodities: Meridel Le Sueur’s Pedagogical Legacy.” College English 65.6 (July 2003): 607-625.

Griffin, Robert J. “Anonymity and Authorship.” New Literary History 30.4 (1999): 877-895.

Grusin, Richard. “What Is an Electronic Author? Theory and the Technological Fallacy.” Configurations 2.3 (1994): 469-483.

Gutbrodt, Fritz. Joint Ventures: Authorship, Translation, Plagiarism. New York: Peter Lang, 2003.

Hall, David D. “Literacy, Culture, and Authority.” Literacy: Interdisciplinary Conversations. Ed. Deborah Keller-Cohen. Cresskill, NJ: Hampton, 1994.

Harris, Joseph. “The Plural Text/The Plural Self: Roland Barthes and William Coles.” College English 49 (1987): 158-70.

Haswell, Janis, and Richard Haswell. Authoring: An Essay for the English Profession on Potentiality and Singularity. Logan: Utah State UP, 2010.

Herman, David. “Sciences of the Text.” Postmodern Culture 11.3 (May 2001).

Holt, Jason. “The Marginal Life of the Author.” The Death and Resurrection of the Author? Ed. William Irwin. Westport, CT: Greenwood, 2002. 23-44. 65-78.

Howard, Rebecca Moore. “Authorship Theories.” Theorizing Composition: A Critical Sourcebook of Theory and Scholarship in Contemporary Composition Studies. Ed. Mary Lynch Kennedy. Westport, CT: Greenwood P, 1998. 5-8.

Howard, Rebecca Moore. “Postpedagogical Reflections on Plagiarism and Capital.” Beyond Post-Process. Ed. Sidney I. Dobrin, J.A. Rice, and Michael Vastola. Utah State UP, 2011. 219-231.

Inge, M. Thomas. “Collaboration and Concepts of Authorship.” PMLA 116.3 (May 2001): 623-630.

Irwin, William, ed. The Death and Resurrection of the Author? Westport, CT: Greenwood, 2002.

Iwanicki, Christine E. “Living Out Loud within the Body of the Letter: Theoretical Underpinnings of the Materiality of Language.” College English 65.5 (May 2003): 494-510.

Jackson, Leon. The Business of Letters: Authorial Economies in Antebellum America. Stanford UP, 2008.

Jaszi, Peter, and Martha Woodmansee. “The Ethical Reaches of Authorship.” South Atlantic Quarterly 95.4 (Fall 1996): 947-77.

Jaszi, Peter. “On the Author Effect: Contemporary Copyright and Collective Creativity.” The Construction of Authorship: Textual Appropriation in Law and Literature. Ed. Martha Woodmansee and Peter Jaszi. Durham: Duke UP, 1994. 29-56.

Kamuf, Peggy. Signature Pieces: On the Institution of Authorship. Ithaca, NY: Cornell UP, 1988.

Kellner, Hans. “Roland Gerard Barthes.” Twentieth-Century Rhetorics and Rhetoricians. Michael G. Moran and Michelle Ballif, eds. Westport, CT: Greenwood, 2000. 23-31.

Kennedy, Krista. “The Daw and the Honeybee: Situating Metaphors for Originality and Authorial Labor in the 1728 Chambers’ Cyclopedia.” College English 76.1 (Sept. 2013): 35-58.

Kennedy, Krista, and Seth Long. “The Trees within the Forest: Extracting, Coding, and Visualizing Subjective Data in Authorship Studies.” Rhetoric and the Digital Humanities. Ed. Jim Ridolfo and William Hart-Davidson. U Chicago P, 2015. 140-151.

Kerr, Lucille. “Situating the Author: Notions Old and New.” Reclaiming the Author: Figures and Fictions from Spanish America. Durham, NC: Duke UP, 1992. 1-25.

Lamarque, Peter. “The Death of the Author: An Analytical Autopsy.” British Journal of Aesthetics 30.4 (October 1990): 319-331. Rpt. The Death and Resurrection of the Author? Ed. William Irwin. Westport, CT: Greenwood, 2002. 79-92.

Larochelle, Gilbert. “From Kant to Foucault: What Remains of the Author in Postmodernism.” Perspectives on Plagiarism and Intellectual Property in a Postmodern World. Ed. Alice Roy and Lise Buranen. Albany, NY: SUNY P, 1999. 121-131.

Lechte, John. “Roland Barthes.” Fifty Key Contemporary Thinkers: From Structuralism to Postmodernity. New York: Routledge, 1994. 121-122.

Logie, John. “1967: The Birth of ‘The Death of the Author.'” College English 75.5 (May 2013): 493-512.

Logie, John. The Author(‘s) Proper(ty): Rhetoric, Literature, and Constructions of Authorship. Diss. Pennsylvania State U, 1999.

Logie, John. “We Write for the Workers: Authorship and Communism in Kenneth Burke and Richard Wright.” K.B. Journal 1.2 (2004).

Lunsford, Andrea Abernethy. “Histories of Writing and Contemporary Authorship.” Coming of Age: The Advanced Writing Curriculum. Ed. Linda K. Shamoon, Rebecca Moore Howard, Sandra Jamieson, and Robert A. Schwegler. Portsmouth, NH: Heinemann Boynton/Cook, 2000. 55-58.

Madison, Charles A. Book Publishing in America. New York: McGraw-Hill, 1966.

McCann, Graham. “Distant Voices, Real Lives: Authorship, Criticism, Responsibility.” What Is an Author? Ed. Maurice Birotti and Nicola Miller. New York: Manchester UP, 1993. 72-84.

McClay, Wilfred M. The Masterless: Self and Society in Modern America. U North Carolina P.

McGann, Jerome, and Lisa Samuels. “Deformance and Interpretation.” (15 June 2000).

McGann, Jerome. “The Dawn of the Dead: Dante Gabriel Rossetti at the End of the Twentieth Century.” The Sociomaterial Turn: Excavating Modernism. University of Tulsa, Tulsa OK, 6 March 1998.

Miller, Susan. Assuming the Positions: Cultural Pedagogy and the Politics of Commonplace Writing. Pittsburgh, PA: U Pittsburgh P, 1998.

Miller, Susan. Rescuing the Subject. Carbondale: Southern Illinois UP, 1989.

Moore, H.L. A Passion for Difference. Cambridge: Polity, 1994.

Moore, Henrietta. “Master Narratives: Anthropology and Writing.” What Is an Author? Ed. Maurice Birotti and Nicola Miller. New York: Manchester UP, 1993. 191-213.

Mowitt, John. “What Is a Text Today?” PMLA 117.5 (October 2002): 1217-1221.

Mueller, Derek. “Grasping Rhetoric and Composition by Its Long Tail: What Graphs Can Tell Us about the Field’s Changing Shape.” College Composition and Communication 64.1 (2012): 195-223.

Murnen, Timothy James. Constructing Authorship in the Composition Classroom: An Ethnographic Approach. Diss. U Michigan, 2002. AAI3058025.

Nehamas, Alexander. “What an Author Is.” The Journal of Philosophy 33.11 (November 1986): 685-91.

Nehamas, Alexander. “Writer, Text, Work, Author.” Literature and the Question of Philosophy. Johns Hopkins UP, 1989. Rpt. The Death and Resurrection of the Author? Ed. William Irwin. Westport, CT: Greenwood, 2002. 95-116.

Nesbit, Molly. “What Was an Author?” Yale French Studies 73 (1987): 229-257.

North, Michael. “Authorship and Autography.” PMLA 116.5 (October 2001): 1377-1385.

Nyhan, Julianne, and Oliver Duke-Williams. “Is Digital Humanities a Collaborative Disciplline? Joint-authorship Publication Patterns Clash with Defining Narrative.” The Impact Blog. London School of Economics and Political Science. 10 Sept. 2014.

Ong, Walter J. The Barbarian Within. New York: Macmillan, 1962.

Pappas, Nickolas. “Authorship and Authority.” The Journal of Aesthetics and Art Criticism 47.4 (Fall 1989): 325-332. Rpt. The Death and Resurrection of the Author? Ed. William Irwin. Westport, CT: Greenwood, 2002. 117-128.

Peterson, Linda. “Margaret Oliphant’s Autobiography as Professional Artist’s Life.” Texas Christian University. 10 November 1997.

Phelps, Louise Wetherbee. “Audience and Authorship: The Disappearing Boundary.” A Sense of Audience in Written Communication. Ed. Gesa Kirsch and Duane H. Roen. Newbury Park, CA: Sage, 1990. 153-74.

Porter, James E. “Author.” Encyclopedia of Rhetoric and Composition: Communication from Ancient Times to the Information Age. Ed. Theresa Enos. New York: Garland, 1996. 54-56.

Porter, James E. “Intellectual Property and the Construction of Authorship.” Cardozo Arts & Entertainment Law Journal 10.2 (1992).

Porter, James E. “Selected Bibliography: The Concept of ‘Author’ in Rhetoric/Composition and Literary Theory.” Rhetoric Society Quarterly 23 (1993): 71-5.

Poulakos, Takis. “Human Agency in the History of Rhetoric: Gorgias’s Encomium of Helen.” Writing Histories of Rhetoric. Ed. Victor Vitanza. Carbondale, IL: Southern Illinois UP, 1994. 59-80.

Rabate, Jean-Michel. “Barthes, Roland.” Johns Hopkins Guide to Literary Criticism. 2nd ed. Baltimore: Johns Hopkins UP, 2005.

Rainey, Lawrence. “The Real Scandal of Ulysses.” Times Literary Supplement 31 January 1997: 11-13.

Randall, Marilyn. “Appropriate(d) Discourse: Plagiarism and Decolonization.” New Literary History 22 (1991): 525-41.

Randall, Marilyn. “Imperial Plagiarism.” Perspectives on Plagiarism and Intellectual Property in a Postmodern World. Ed. Alice Roy and Lise Buranen. Albany, NY: SUNY P, 1999. 131-140.

Randall, Marilyn. Pragmatic Plagiarism: Authorship, Profit, and Power. U of Toronto P, 2001.

Reiss, Timothy J. The Discourse of Modernism. Ithaca: Cornell UP, 1982.

Reyman, Jessica.  “The Role of Authorship in the Practice and Teaching of Technical Communication.” Copy(Write):  Intellectual Property in the Writing Classroom. Ed. Martine Rife, Danielle Nicole DeVoss, and Shaun Slattery. 2011.

Reyman, Jessica. “User Data on the Social Web: Authorship, Agency, and Appropriation.” College English 75.5 (May 2013): 513-33.

Robillard, Amy E. Reimagining Students’ Writerly Authority: Co-investigation and Representations of Student Writers in Composition Studies. Diss. Syracuse U, 2004. AAI3149055.

Robillard, Amy E., and Ron Fortune, eds. Authorship Contested: Cultural Challenges to the Authentic Autonomous Author. Routledge, 2015.

Rombes, Nicholas. “The Rebirth of the Author.” CTheory 6 Oct. 2005.

Rose, Mark. “The Author as Proprietor: Donaldson v. Becket and the Genealogy of Modern Authorship.” Representations 23 (1988).

Rostenberg, Leona, and Madeleine B. Stern. Connections: Our Selves–Our Books. Santa Monica, CA: Modoc P, 1994.

Rouse, John, and Edward Katz. Unexpected Voices: Theory, Practice, and Identity in the Writing Classroom. Cresskill, NJ: Hampton, 2003.

Saunders, David. Authorship and Copyright. New York: Routledge, 1992.

Saunders, David, and Ian Hunter. “Lessons from the ‘Literatory’: How to Historicise Authorship.” Critical Inquiry 17 (1991): 479-509.

Schilb, John. “Reprocessing the Essay.” Post-Process Theory: Beyond the Writing-Process Paradigm. Ed. Thomas Kent. Carbondale: Southern Illinois UP, 1999. 198-216.

Schneiderman, Davis. “Everybody’s Got Something to Hide Except for Me and My Lawsuit: DJ Danger Mouse, William S. Burroughs, and the Politics of ‘Grey Tuesday.'” Plagiary 1.13 (2006): 1-18.

Scott, Fred Newton, ed. and intro. The Principles of Success in Literature. By George Henry Lewes. Boston: Allyn and Bacon, 1891.

Seitz, James. “Roland Barthes, Reading, and Roleplay: Composition’s Misguided Rejection of Fragmentary Texts.” College English 53.7 (November 1991): 815-25.

Shipherd, Henry. A Story of a Bookman, a Biographical Essay. New York, Exposition Press, 1955.

Silverman, David, and Brian Torode. The Material Word: Some Theories of Language and Its Limits. Boston: Routledge & Kegan Paul, 1980. Chapter 11, “The Significance of Barthes.”

Silverman, Kaja. “The Author as Receiver.” October 96 (Spring 2001): 17-34.

Spivak, Gayatri C. “Reading The Satanic Verses.” What Is an Author? Ed. Maurice Birotti and Nicola Miller. New York: Manchester UP, 1993. 103-136.

Stecker, Robert. “Apparent, Implied, and Postulated Authors.” PHL: Apparent, Implied, and Postulated Authors. Johns Hopkins UP, 1987. 258-271. Rpt. The Death and Resurrection of the Author? Ed. William Irwin. Westport, CT: Greenwood, 2002. 129-140.

Stillinger, Jack. Multiple Authorship and the Myth of Solitary Genius. New York: Oxford UP, 1991.

Stopford, John. “The Death of the Author (as Producer). Philosophy and Rhetoric 23 (1990): 184-91.

Swan, Jim. “Touching Words: Helen Keller, Plagiarism, Authorship.” The Construction of Authorship: Textual Appropriation in Law and Literature. Ed. Martha Woodmansee and Peter Jaszi. Durham: Duke UP, 1994. 57-100.

Tardy, Christine M., and Paul Kei Matsuda. “The Construction of Author Voice by Editorial Board Members.” Written Communication 26.1 (January 2009): 32-52.

Trimbur, John, and Lundy A. Braun. “Laboratory Life and the Determination of Authorship.” New Visions of Collaborative Writing. Ed. Janis Forman. Portsmouth, NH: Boynton/Cook, 1992. 19-36.

Trimbur, John. “Agency and the Death of the Author: A Partial Defense of Modernism.” JAC: A Journal of Composition Theory 20.2 (2000): 283-298.

Vitanza, Victor J. “Three Countertheses: Or, A Critical In(ter)vention into Composition Theories and Pedagogies.” Contending with Words: Composition and Rhetoric in a Postmodern Age. Ed. Patricia Harkin and John Schilb. New York: Modern Language Association, 1991. 139-172.

Walker, Cheryl. “Author.” Texts: Ontological Status, Identity, Author, Audience. Ed. Jorge J.E. Gracia. Albany: SUNY P, 1996.

Wernick, Andrew. “Authorship and the Supplement of Promotion.” What Is an Author? Ed. Maurice Birotti and Nicola Miller. New York: Manchester UP, 1993. 85-102.

Westphal, Merold. “Kierkegaard and the Anxiety of Authorship.” International Philosophical Quarterly 34.1 (March 1994): 5-22. Rpt. The Death and Resurrection of the Author? Ed. William Irwin. Westport, CT: Greenwood, 2002. 23-44.

Wimsatt, William K., Jr., and Monroe C. Beardsley. “The Intentional Fallacy.” The Verbal Icon: Studies in the Meaning of Poetry. By William K. Wimsatt, Jr. Lexington: U Kentucky P, 1954. Rpt. Authorship: From Plato to the Postmodern. Ed. Sean Burke. Edinburgh: Edinburgh UP, 1995. 90-100.

Woodmansee, Martha, and Peter Jaszi, eds. The Construction of Authorship: Textual Appropriation in Law and Literature. Durham: Duke UP, 1994.

Woodmansee, Martha. “On the Author Effect: Recovering Collectivity.” The Construction of Authorship: Textual Appropriation in Law and Literature. Ed. Martha Woodmansee and Peter Jaszi. Durham: Duke UP, 1994. 15-28.

Woolgar, Steve. “What Is a Scientific Author?” What Is an Author? Ed. Maurice Birotti and Nicola Miller. New York: Manchester UP, 1993. 175-190.

Wortham, Simon. “Multiple Submissions and Little Scrolls of Parchment: Censorship, Knowledge, and the Academy.” New Literary History 28.3 (Summer 1997).

Zebroski, James Thomas. “Intellectual Property, Authority, and Social Formation: Sociohistorical Perspectives on the Author Function.” Perspectives on Plagiarism and Intellectual Property in a Postmodern World. Ed. Lise Buranen and Alice M. Roy. Albany, NY: SUNY P, 1999. 31-40.